(14 November 1852 - 28 December 1930) was an Italian painter. Mancini was born in Rome and showed precocious ability as an artist. At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi (1818-1899), a landscape painter. Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon. Mancini worked at the forefront of Verismo movement, an indigenous Italian response to 19th-century Realist aesthetics. His usual subjects included children of the poor, juvenile circus performers, and musicians he observed in the streets of Naples. His portrait of a young acrobat in "Saltimbanco" (1877-78) exquisitely captures the fragility of the boy whose impoverished childhood is spent entertaining pedestrian crowds. While in Paris in the 1870s, Mancini met Impressionists Edgar Degas and Édouard Manet. He became friends with John Singer Sargent, who famously pronounced him to be the greatest living painter. His mature works show a brightened palette with a striking impasto technique on canvas and a bold command of pastels on paper. In 1881, Mancini suffered a disabling mental illness. He settled in Rome in 1883 for twenty years, then moved to Frascati where he lived until 1918. During this period of Mancini's life, he was often destitute and relied on the help of friends and art buyers to survive. After the First World War, his living situation stabilized and he achieved a new level of serenity in his work. Mancini died in Rome in 1930 and buried in the Basilica Santi Bonifacio e Alessio on the Aventine Hill. His painting,The Poor Schoolboy, exhibited in the Salon of 1876, is in the Musee d'Orsay in Paris. Its realist subject matter and dark palette are typical of his early work. Paintings by Mancini also may be seen in major Italian museum collections, including Galleria Nazionale d'Arte Moderna e Contemporanea in Rome, and Museo Civico-Galleria d'Arte Moderna in Turin. The Philadelphia Art Museum holds fifteen oil paintings and three pastels by Mancini that were a gift of New York art dealer Vance N. Jordan.  Related Paintings of Antonio Mancini :. | Wisteria in bloom | The Poor Schoolboy | Ritratto di Otto Messinger | Self portrait | Self-portrait |
Related Artists:
Giovanna Garzoni
Italian Baroque Era Painter, 1600-1670 was an Italian painter of the Baroque era. She was unusual for Italian artists of the time for two reasons: first, in that her themes were mainly decorative and luscious still-lifes of fruits, vegetables, and flowers, and second, because she was a woman. Her training was with an otherwise unknown painter from her native town of Ascoli Piceno. She gained substantial success at her trade in Rome, Venice, Florence (1642-1651), Naples, and Turin. She was patronized by Cassiano dal Pozzo and the wife of Taddeo Barberini, Anna Colonna. In Turin she painted for Carlo Emanuele II, Duke of Savoy. She returns to Rome in the 1650s. In 1666, Garzoni bequeathed her entire estate to the Roman painters' guild the Accademia di San Luca, on condition that they build her tomb in their church of Santi Luca e Martina. Her tomb monument by Mattia De Rossi is to the right of the entrance. Laura Bernasconi was also a woman painter of still-life flowers in Rome in the 1670s. In Rome, she would have been a contemporary of Caterina Ginnasi. It is likely that in Naples she was exposed to the still-lifes of Giovan Battista Ruoppolo and his contemporaries.
johann friedrich august tischbein
German Painter, 1750-1812. 1750 Maastricht ?C Heidelberg 1812. First he was a pupil of his father Johann Valentin Tischbein (1715-1768) in Hildburghausen, from 1768 one of his uncle Johann Heinrich Tischbein the elder (1722-1789) in Kassel. Supported by Prince Friedrich von Waldeck he stayed in Paris from 1772 until 1777, where he studied at the academy of arts under N. B. L??pici?? (1735-1784). Afterwards he travelled to Rome, where he got in contact with the painters A.R. Mengs (1728-1779), J.L. David (1748-1825) and Fr.H. F??ger (1751-1818) and probably also with the English style of portrait painting. 1779 he travelled to Naples. In 1780 he returned to Arolsen via Vienna, Munich, Stuttgart and Kassel, where he worked for the Prince of Waldeck. From 1780 he was his councillor and court painter. During this time he made several journeys e.g. to Holland and after 1785 to Weimar where he met Wieland (1785), Schlegel (1792) and other important people. From 1795 he worked for Leopold III. of Anhalt-Dessau. 1800 he succeeded A. Fr. Oeser (1717-1799) as director of the academy of arts in Leipzig. From 1806 to 1808 he stayed in St Petersburg. He died 1812 when he visited his daughter Caroline Wilken (1783-1843) in Heidelberg
CODAZZI, Viviano
Italian Baroque Era Painter, 1604-1670 Italian painter. He arrived in Naples about 1634, having almost certainly trained in Rome. He was a specialist in the realistic architectural VEDUTA, and his interest in this theme may have been stimulated in Rome by the quadratura frescoes of Agostino Tassi and by the urban views of Claude Lorrain and Herman van Swanevelt.